In 2025 to have a good time the centenary of the start of Mario Giacomelli (Senigallia 1925-2000), one of the best Italian photographers, the Giacomelli archive promoted a sequence of wonderful cultural projects that move the 2 Italian capital: Milan and Rome. The celebrations, which encompass two important retrospective exhibitions, offer the general public the opportunity to immerse themselves in the visual and poetic universe of a teacher who has been able to remodel images right into a regularly occurring language.
From 22 May to 7 September Palazzo Reale in Milan will host the incredible exhibition “The photographer and the poet” which collects over 300 authentic photographic works by using Giacomelli, consisting of antique and antique prints, documents and archival materials. The exhibition, curated by way of Bartolomeo Pietromarchi and Katiuscia Biondi Giacomelli, is a journey that winds via chronological chapters, each of which explores one of the salient levels of his profession.
The exhibition itinerary, with a robust emotional impact, focuses on the bond of Giacomelli with poetry. Its photographic collection, inspired via the readings of the first-rate poets, intertwine with the language of the unconscious and visible narration, in which every image becomes a tale that transcends time. Among the works on show, there are some of its maximum famous series, inclusive of that dedicated to lifestyles in seminars, which becomes a poetic reflection on spirituality and humanity.
In parallel, in Rome, the Palazzo delle Esposizioni will host – from 20 May to three August – another exhibition, “The photographer and the artist”, which, in spite of having the identical consciousness on the Marche Master, proposes a special imaginative and prescient of his work. In this exhibition, the valuable theme is the metamorphosis of the matter and the performative idea of the pictures that Giacomelli has been able to increase during his career. Here, the pictures almost emerge as performances, wherein images does now not simply stop a second but explores it, dilates it, transforms it into a visual tale which can excite and contain the viewer.
The collaboration between Milan and Rome lets in you to deepen complementary faces of the studies of Giacomelli, giving existence to a unmarried exhibition project. Each phase of the exhibitions now not most effective offers an possibility to discover the artist’s evolution however also to severely interpret the complete human and photographic route of one of the undisputed protagonists of modern-day pictures. In specific, the Roman room dedicated to the collection “I haven’t any hands that caress my face” (1961-1963) might be an unmissable possibility to immerse yourself in one of the nice regarded and modern works of Giacomelli, who has consecrated its international repute.
